The next show is on August 6, 2011, in Welland, ON at Illuminaqua Festival. This is presented by Supernova. You'll be amazed at the band! We'll be playing songs from "Deathstyle Celebration", new songs, and maybe even something by Björk. thismaddesire.com for more info.
INTERVIEW WITH MACKENZIE KRISTJON (moi): themansphere.blogspot.com/2011/06/men-we-admire-mackenzie-kristjon.html
Thoughts and prayers to everyone in Norway.
IGGY POP :: I'm a Conservative from Soldier (1980)
How many times did she have to repeat that lie to herself in order to imagine it to be true?
from January 18, 1996
and so at what point does a song become great? At what point does it transcend itself to become a work of art? The reason these questions are being posed is a result of the upcoming birthday (#2) on jan. 29 of “perfect ring”. At some point, and this was a gradual process, that song became a defining work of mine. It was with such trepidation that I brought that song to the bloodflowers’ attention. “oh, another song,” I thought. “they will hate learning it.” And not being sure the arrangement or form of the song. Should the first verse be repeated twice at the beginning and the final chorus twice at the end? At some point, an ending emerged and the song takes over the creator. The performer becomes a slave to the song. You try to beat a song into submission but just when you think you have it, there is an uprising from within the song itself such that the performer is usurped by a powerful preserce that the song becomes. There is an element of power from no knowable source inherent in great works be they paintings or movies or statues or songs or dances. Something in the expression of thepiece makes the performer a tool in the creation of… light? It is almost like the performer is a lightbulb and when performing lesser works, she still seems like a lightbulb and people recognize her for being a lightbulb. However, when the right piece is performed, when the electricity is just so, that performer becomes a conduit for breathtaking beauty and light. “I can see clearly now,” the audience would gasp.
What is that magical quality?
(NOTE: even at such an early time, my fascination with great art was evident. Without any schooling, I had already found dominant metaphors of illumination and divinity..)
For any questions or inquiries about this update or life in general, please email love@thismaddesire.com
Mac knows that REAL MEN DONT BUY GIRLS. Mac supports Yehuda Berg supporting the fight against human trafficking. Check out this video and create your own.
REVIEW OF Pigeon English by Stephen Kelman
(Toronto: House of Anansi, 2011. 263 pp.)
First-time novelist Stephen Kelman has achieved something like a modern-day Catcher in the Rye with the much-hyped Pigeon English. Both a coming-of-age novel and something of a murder mystery, it provides insight into the world of gangs and violent crime and their impact on young people. It is no secret why twelve publishing companies participated in a bidding war to acquire this novel.
Written from the perspective of Harrison Opoku, an 11-year-old Ghanian immigrant who lives in a London housing project, Pigeon English draws on the real-life killing of ten-year-old Damilola Taylor, a Nigerian schoolboy who died in the UK. At the beginning of the novel, a boy has been knifed to death and Harrison and his friend become amateur sleuths in a world of urban decay and violence.
The language used is a mixture of British and Ghanian slang written with just enough childhood naïveté to provide both humour and horror. At the same time as Harrison is trying to solve the murder, he is also being tested for recruitment into the local Dell Farm Crew gang. Meanwhile, he's still only eleven and busy wondering if the girl next to him in school likes him, thinking about superheroes, and trying to attract a certain pigeon to his balcony with flour. Some parts of the book are also told from the perspective of the pigeon.
The magic of the book comes directly from the sense of boyhood wonder as Harrison flails his way through this world as he considers if gangs can be for good and what makes a good detective and just why are girls so icky anyway. Poignant observations abound as when Harrison takes part in the mugging of an older gentleman from the local church. Upon realizing the identity of the target victim, he thinks, “That's when I knew why he sings louder than anybody else [at church]; it's because he's been waiting the longest for God to answer.”
There are points at which the sense of character comes across as contrived and Harrison seems too comfortable with a language that is still supposed to be very new to him. Nevertheless, the sheer kaleidoscope of experiences refracted through this character's voice more than makes up for it.